Kobudo and
Iaido Program

Okinawa is a string of islands that lie between China and Japan and has been a common battle field for both its neighbors for many centuries. The Okinawan weapons are an integral part of Okinawan Martial Arts. In 1477 all weapons in Okinawa were banned and confiscated. This political move directly led to the development of two different fighting systems. Te, practiced by the nobility, is a form of empty hand combat; and Kobudo, developed by farmers and fishermen is a form of armed combat using simple farming tools and everyday implements as weapons. In both systems, training was conducted in strict secrecy. In some circles if one does not know weapons, one is not considered well rounded in Martial Arts.

Although there are eight different weapons in Okinawan Kobudo, the most commonly used and generally viewed as the core of the art are the bo, jo, tong fa, and the sai. Each weapon has its own set of kata and techniques of use in combat.

Today's existing kata go back two or three hundred years or so; we can safely say that they were forged by masters experienced in combat.

Unfortunately the history of the fighting arts of the Orient depends more on an oral rather than a written history. Therefore, different opinions and interpretations exist among the historians as to the accuracy of the various divergent viewpoints regarding the founders and their times.

We can at least go back (with some degree of accuracy) to Aburaya Yamaki and Matsu Higa as the first to establish a systematized approach to kata and techniques. We definitely know that Matsu Higa was the Sensei of Takahara Peichin who taught Karate Sakugawa (1733-1815) who most historians readily agree was the fountainhead of modern Okinawan Kobudo.

After the year 1609 when the Satsuma clan of Japan subjugated the Ryukyus, the Japanese with their propensity for accuracy recorded quite a bit of the customs of the Ryukyus including the Martial Arts. O'Sensie Kim


Okinawan and Japanese Weapons
The weapons that we teach at our school are the bo (6'staff), sai (forked prongs), jo (4'staff), the tong fa (tool for grinding rice into flower), kama (sickle), ulesi (a Filipino weapon), knife procedures, Iaido (the way of drawing the sword, and Kenjutsu, (the use of the sword in battle). The major purpose of training with weapons is to teach the difference between life and death. This comes about when a person realizes just how lethal weapons are. There is a drastic difference between fighting with an empty hand and fighting with a weapon. For example, a punch to the chest stuns, while the same technique done with a sword kills. Therefore training with weapons requires greater mental focus than empty hand training, and it helps students gain a greater appreciation for life.

In Kobudo the weapon is simply used as an extension of the body. Nearly all basic Karate-Do moves can be duplicated with a weapon in your hand, therefore, the perfection of basic moves is a necessity for weapons training. The most useful weapons for present day training are either the bo or the jo, usually made from oak. The police night stick is derived from the tong fa. The same moves learned with these weapons can be applied to a broom, walking stick, umbrella or a rolled up newspaper.


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 Kaze Hatsu Martial Art Programs : Kobudo, Iaido and Jodo Progra
Japanese Weaponry
Iaido - Kenjutsu
Weapon Arts of the Samurai
Iaido is the art of drawing and cutting with the Katana. This method of practice dates back to the Tokugawa Period 400 years ago. We study ZNKR Seitei Iaido, Muso Jikiden Eishin Ryu Iaido and Shimay Muso Ryu Iaido.

Kenjutsu is the science of using the sword after it is drawn: the honing of battlefield techniques, timing, strategy, accuracy, strength, balance, etcetera. This art would have originated at the same time as the sword itself. We study Tachi Uchi No Karai from the Jikiden school of Iaido, and the sword of Miyomoto Musashi, Niten Ichi Ryu.


Filipino Weapons (Escrima, Kali, Arnis)
Escrima (which means to skirmish) is a Filipino Martial Art which has been traced back to the 9th century. When the Spanish first invaded the Philippines in the 16th century, their steel swords and armour proved no match for the Filipinos swift, elusive, and vicious sticks. The turbulent land saw many battles. The Filipinos learned new techniques from each invading force and developed a complex fighting system using empty hands, swords, sticks, clubs, staffs, lances, and knives. Eventually the Spanish managed to subdue the Filipinos by use of firearms, and thus conquered the land. In 1764, when Spanish control was complete, the practice of Escrima was outlawed; however, many of its movements were preserved in "folk dances".

In Escrima training practitioners first learn weapons before progressing to the weaponless techniques of hand and foot. The first weapon is usually the stick or the dagger. Systems include the sinawali sticks (drills using two sticks usually about 30 inches long), single or double dagger methods, and espada y daga, the stick and dagger method. Escrima was brought to the USA and Hawaii in the early 1900's by Filipino college students, farm workers merchant marines, and dock workers. Jack Santos, an Escrima master, formally introduced the art to the USA in 1909. He was followed by numerous Escrimadores, but the art was then highly secretive. The non-Filipinos who learned the art did so through their Filipino friends. Today especially through the efforts of Dan Inosanto who has helped spread it world wide.